Select Press and Talks:
Los Angeles Times by Elisa Wouk Almino
Ithaca Exhibition In Conversation with Arts Writer Scarlet Cheng
Wignall Museum of Contemporary Art / HOME EDITION
MAIDENLA Studio Visit with Snezana Petrovic and Sharon Kagan
Art & Cake Artist Profile by Genie Davis
CURATOR by Amanda Quinn Olivar
What Artists Listen To / Podcast by Pia Pack
Amanda Maciel Antunes (aka dama) is a self-taught Brazilian artist of indigenous South American and Portuguese descent based in Los Angeles. Her transdisciplinary practice merges language and durational performance to create paintings, writing, sculpture, sound, film and assemblage. She works in collaboration with public libraries, nature and communal spaces, reflecting on the selective nature of memory, inherent language and anthropological references written by women as points of departure.
Sites of practice have included a former WWII military shelter in East LA, Sæborg historical theatre in a northern fjord, Iceland, The Crowley Theatre in Marfa, TX; a Dessana Tribe territory in Rio Negro, Brazil; the Los Angeles National Forest; and the High Desert of California. She has exhibited her work in the USA, Brazil and Iceland. Recent select exhibitions and solo performances at Galeria Vermelho, Galeria Chão, Wignall Museum, Track16 Gallery, Irrational Exhibits, 18th Street Arts Center, Oregon Contemporary, Brand Art Library, Irvine Fine Arts Center, Philosophical Research Society.
Her first book titled Second Birth was published in the Spring of 2023 by HEXENTEXTE. She’s also a librarian at the Philosophical Research Society in Los Angeles and founder/curator of the Surrealist Study Group (SSG) in LA.